Margaret Atwood
Cat's Eye
An essay by Marta Dvorak which explores this novel as a Künstlerroman - a narrative that documents its protagonist's artistic development. Dvorak examines the text's engagement with the visual arts and looks at the poetic devices Atwood employs.
Oryx and Crake
A paper by Grayson Cooke of Central Queensland University looking at the role of biotechnology and the relationship between language and human life in Atwood's post-apocalyptic novel. Also assesses the criticial reception of Oryx and Crake.
Alias Grace
An essay by Jennifer Murray examining Atwood's depiction of a historic double murder and the implications this novel's multiplicity of narrative perspectives has on historiographic de-construction and re-construction.
Charles Dickens
The Pickwick Papers
An essay by Professor Kébir Sandy exploring the presence of theatricality and the influence of popular entertainment on Dickens in this novel, as well as other early Dickens works such as Sketches by Boz, Oliver Twist, and Nicholas Nickleby.
Oliver Twist
An essay by Professor Kébir Sandy exploring the presence of theatricality and the influence of popular entertainment on Dickens in this novel, as well as other early Dickens works such as Sketches by Boz, The Pickwick Papers, and Nicholas Nickleby.
A Tale of Two Cities
An essay by Christine L. Krueger, Professor of English at Marquette University, exploring the historical context of Dickens's novel through the application for queer theory and in relation to contemporary LGBTQ rights.
David Copperfield
An essay by Françoise Dupeyron-Lafay looking at the form and function of language in David Copperfield, particularly how Dickens uses language as a tool for retrospection and characterization.
A paper by Margaret Price which examines the character of the hero's aunt, Betsey Trotwood, in Dickens's celebrated semi-autobiographical novel. Price focuses in particular on the notion of the 'masculine female'.
Nicholas Nickleby
An essay by Professor Kébir Sandy exploring the presence of theatricality and the influence of popular entertainment on Dickens in this novel, as well as other early Dickens works such as Sketches by Boz, The Pickwick Papers, and Oliver Twist.
Great Expectations
An essay by Professor Michael Hollington that sets out to highlight the paradoxical nature of Dickens's famous bildungsroman novel by exploring the grotesque and tragicomic aspects of the text.
An essay by Martin Fashbaugh, of Black Hills State University, which looks at the interplay between narrative and poetic discourse and their relationship to the theme of jealosy in Dickens's novel and The Ordeal of Richard Feverel by George Meredith.
Our Mutual Friend
An essay by Professor Kébir Sandy, which explores the character of Bella Wilfer, with analysis of several scenes from the novel.
Sketches by Boz
An essay by Kébir Sandy exploring the presence of theatricality and the influence of popular entertainment on Dickens in this novel, as well as other early Dickens works such as The Pickwick Papers, Oliver Twist, and Nicholas Nickleby.
George Eliot
Felix Holt, the Radical
An essay by Tim Watson, a Professor at the University of Miami, analyzing this novel and Eliot's Daniel Deronda in the context of scientific enquiries into race and descent, with reference to the Morant Bay uprising in Jamaica.
Daniel Deronda
An essay by Françoise Dupeyron-Lafay looking at how Eliot uses suggestion and allusion to explore such 19th century taboos as physical relations and the body.
In this essay, Rosanna Wood looks at the construction of character in Eliot's novel by analyzing several principal characters and critical reactions to them.
An essay by Tim Watson, a Professor at the University of Miami, analyzing this novel and Eliot's Felix Holt, the Radical in the context of scientific enquiries into race and descent, with reference to the Morant Bay uprising in Jamaica.
Jean Rhys
Wide Sargasso Sea
An academic article by Eileen Williams-Wanquet examining the ways in which the characters of Wide Sargasso Sea are trapped by the ideological discourse of Brontë's Jane Eyre and its attempts to break free from a patriarchal narrative.
An essay by Nalini Paul, University of Glasgow, which applies the cinematic concept of 'gaze', in relation to feminist film theory, to a reading of Rhys's novel