An essay by Eric Goldman, a professor of American Literature at the University of Connecticut, examining various aspects of this controversial novel, including critical assessments, cultural myth, and the ways Nabokov challenges reader assumptions.
An essay by Tracy Wendt Lemaster looking at the sociological factors the 'nymphet' figure represents in this novel and Sam Mendes's film American Beauty. With reference to the work of Professor James R. Kincaid and others.
An essay by Rhys Griffiths of University College London which adopts Jameson's view of postmodernism as the product of a consumer society for a comparative analysis of Lolita and Wim Wenders's film Paris, Texas.
In this essay, Krin Gabbard of State University of New York, adopts Professor Gaylyn Studlar's model of a masochistic aesthetic, as well as Freudian psychoanalytic theorizing of sadism and masochism, to explore the dynamics of the relationship between Nabokov's text and screenplay, and Kubrick's film adaptation.
An essay by Amy Lankester-Owen exploring the theme of adolesence in Lolita, Henry James' What Maisie Knew and Jean Rhys' Wide Sargasso Sea. Supported by psychological theories of adolescence, particularly the work of analyst Erik H. Erikson.
An article by novelist David Lodge from The Guardian newspaper discussing several aspects of this novel. These include possible influences for the central protagonist and this book's role as an early example of the 'campus novel'.
An academic article by Derek Wright of Northern Territory University examining the various ontological modes Naipaul employs and their relationship to the structural forms of his Booker Prize winning novel.
An essay by Rhonda Cobham-Sander, a professor at Amherst College, providing several readings of this novel while taking into account the notion of an author's critical legacy being of both thematic concern and stylistic innovation.
An essay by Elizabeth Willis asserting that Niedecker's poetry is characterized by tensions between an individual voice and broader documentary impulse. Similarities between her work and the films of Sergei Eisenstein are also considered.
In this academic article Elizabeth Willis focuses primarily on Niedecker's notion of 'folk'; her conception of poetic composition and her relation to cultural sources. The analysis features several close readings of The Granite Pail.